LABCON - DSP-Controller / 2 or 4 in, 4 Out / 96kHz, 48Bit converting / AES/EBU Digital I/O / 8 Analog Output /
               Ethernet & RS232 Interface


 

LABCON

Features, Signalprocessing

? 96 kHz / 48 bit Converting
? ADC Inputs, switchable between 4 or two Two-Range-Converter with uprised Dynamicrange(> 130 dB)
? AES/EBU digital IO
? Converter for Inputsignals <> 96 kHz
? 8 analogue Outputs LABCON ?Pro¡°
? Ethernet (TCP/IP) and RS232 Interface
? Software LABSOFT available
? Version of 4 Outputs available
? IIR filter: up to 96 parametric filter free configureable
? IIR Crossoverfilter with edge steepness of 6-60 dB/Oktave
? 1 FIR filter per Output - Channel
? Max. Decay of F.I.R. - Filter: 3 Hz.
? De ? Emphasis possible with linear and minimal linear phase
? Limiterthresholds for amps fur (Peak und RMS) and loudspeakers (Peak und Thermo) seperately adjustable
? Generating the FIR Filters based on the loudspeaker-maesurements by Crossover-Wizard of Monkey Forest


 

SPECIFICATIONS

Audio Performance
Max. Gain: +28, +21, or +15 dBu (Adjustable)
Max. Output: +18 dBu
Frequency response (-0.5 dB): 4 bis 45 kHz

Dynamic Range
ADC: >130 dB (Two - Rangemodus)
        118 dB (Usual Modus)
DAC: 121 dB
Insgesamt: 121 dB (Two - Rangemodus)

THD (1 kHz)
ADC: -113 dB (+4 dBu)
        -105 dB (0 dBFS)
DAC: -110 dB (+4 dBu)
        -102 dB (+18 dBu)

All Announcements ref. 20 Hz ? 20 kHz, linear evaluation


 

WestLab Audio

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WestLab Audio ÀÇ ½ºÇÇÄ¿¸¦ º¸°í »ç¶÷µéÀº ±×Àú ÃÖ±Ù ½ñ¾ÆÁ® ³ª¿À°í ÀÖ´Â ¸¹Àº ½ºÇÇÄ¿ ºê·£µå Áß Çϳª¶ó »ý°¢Çϸç, ´ÜÁ¡µéÀ» ã¾Æ³»·Á°í ºÎÁ¤ÀûÀÎ ¸¹Àº À̾߱âµéÀ» ÇÑ´Ù. ÇÏÁö¸¸ ¶Ù¾î³­ »ç¿îµå¿Í ¼º´ÉÀ» È®ÀÎ ÇÑ´Ù¸é, ±× »ý°¢Àº ´Ü¼û¿¡ ¹Ù²î°Ô µÉ °ÍÀÌ´Ù.

Wes Lab Audio ½ºÇÇÄ¿ÀÇ ³î¶ó¿î ½ºÆåÀ» º» »ç¶÷µéÀº ¸ðµÎ ¹ÏÀ» ¼ö ¾ø´Ù°í ¸»ÇÏÁö¸¸ ¿ÀÂ÷ ¹üÀ§°¡ ÀÛÀº ¸Å¿ì Á¤È®ÇÑ ÃøÁ¤À» ÇÏ¿© ³ª¿Â ¼öÄ¡ÀÓÀ» È®½ÅÇÒ ¼ö ÀÖ´Ù .

WestLab Audio À» ÇÑ ¹ø °æÇèÇÑ »ç¶÷Àº ¼ö½Ê ³â µ¿¾È ½ºÇÇÄ¿¿¡ °üÇÏ¿© »ý°Ü³­ Ʋ¿¡ ¹ÚÈù °íÁ¤°ü³äÀ» ¸ðµÎ »ç¶óÁö°Ô µÉ °ÍÀÌ´Ù .

 
Dietmar Bauer /
Marketing - Head of Sales
Christopher Speth /
Research and Developement
Frank Winkelmann /
Production Management
 

ABOUT WestLab Audio

¡°Don`t Flatter Yourself¡± - ¡°Àڱ⠽º½º·Î ¸¸Á·ÇÏÁö ¸¶¶ó¡±

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WestLab Audio ¿¡´Â PA ½Ã½ºÅÛÀÇ ÇÁ·ÎÆä¼Å³Î À¯Àú¿Í »õ·Î¿î ¼¼´ë¸¦ °¨µ¿½ÃÅ°±â À§ÇØ ¿­Á¤ÀûÀ¸·Î ÀÏÇÏ´Â ¡°old hands¡± °¡ Á¸ÀçÇÏ°í ÀÖ´Ù.

PA ½Ã½ºÅÛ »ê¾÷¿¡¼­ ÃÖ°í°¡ µÇ±â À§ÇØ WestLab Audio ¸¸ÀÇ ÀüÅëÀ» ¸¸µé¾î µû¶ó°¡¸ç, ¸ÞÀνºÆ®¸²ÀÌ µÇ±â À§ÇØ ÇÑ°ÉÀ½¾¿ ³ª¾Æ°¡°í ÀÖ´Ù. ÀÌ·¯ÇÑ ¸ðµç °úÁ¤µéÀº ÇÏÀÌ Ä÷¸®Æ¼, ³»Ãò·² »ç¿îµå¸¦ Áö´Ñ Çڵ鸵ÀÌ ½¬¿î Á¦Ç° »ý»ê¿¡ Å« ÈûÀÌ µÇ°í ÀÖ´Ù .

 
 

The Philosophy of WestLab Audio GmbH

WestLab Audio´Â ±âÁ¸ÀÇ Á¤ÇüÈ­µÈ »ç°í¸¦ ±ú´Â °ÍÀ» ¿øÇÑ´Ù. »ç¶÷µéÀº ÀϹÝÀûÀ¸·Î ¡°ÀÌ°ÍÀº 12¡± ¶ó¿ìµå½ºÇÇÄ¿³×. ÀÌ ½ºÇÇÄ¿ÀÇ ¼Ò¸®´Â ¾î¶² ºê·£µåÀÇ ¾î¶² ½ºÇÇÄ¿ÀÇ ¼Ò¸®¿Í ºñ½ÁÇÒ °Å¾ß.¡° ¶Ç´Â ¡±¾Æ, ÀÌ ÄÁÆ®·Ñ·¯´Â ¾î¶² ºê·£µåÀÇ ±× ¸ðµ¨°ú ºñ½ÁÇÏ´Ï ±×°Í°ú ºñ½ÁÇÒ °ÍÀÌ´Ù. WestLab Á¦Ç°À̸é Àú ºê·£µå¿Í ºñ½ÁÇÑ ¼Ò¸®°¡ ³¯ °ÍÀÌ´Ù.¡° µîÀÇ À̾߱âµéÀ» ¸¹ÀÌ ÇÑ´Ù.

À½Çâµµ Çй®ÀÌ´Ù. ¶ó¿ìµå½ºÇÇÄ¿ÀÇ ¿µ¿ªÀº ¿øÀÚ ¹°¸®ÇÐÀÇ ¿µ¿ª¸¸Å­ ¹æ´ëÇÏ´Ù°í ÇÒ ¼ö ÀÖ´Ù. ¾î´À ´©±¸µµ ½ºÇÇÄ¿¸¦ ¸¸µå´Âµ¥ ÇÊ¿äÇÑ ºÎºÐÀÇ 1/100 ¸¸À» º¸°í ÀÌ Á¦Ç°¿¡ ´ëÇØ ¸ðµç °ÍÀ» ¾Ë ¼ö´Â ¾ø´Ù. ¼Ò¸®¸¦ µèÁöµµ ¾Ê¾ÒÀ¸¸é¼­ ¸Ö¸®¿¡¼­ ¹Í½Ì µ¥½ºÅ©¸¦ ½½Â½ º¸°í ¶ó¿ìµå½ºÇÇÄ¿³ª ¿©·¯ ÀåºñµéÀ» ÆÇ´ÜÇعö¸®´Â »ç¶÷µéÀÌ ¸Å¿ì ¸¹´Ù. Á÷Á¢ µé¾îº¸·Á´Â È£±â½ÉÀº ¾îµð¿¡¼­µµ ã¾Æº¼ ¼ö ¾ø´Ù.

¾î·µç, WestLab Aduio´Â »ç¿îµåÀÇ Âø»öÀ» ÃÖ¼ÒÈ­½ÃÅ°·Á°í ³ë·ÂÇÏ°í ÀÖ´Ù. °¡´ÉÇÑ ¹üÀ§¿¡¼­ ¿ø·¡ÀÇ ¼Ò¸®¸¦ Àç»ýÇÒ ¼ö ÀÖµµ·Ï ÃÖ´ëÇÑ ³ë·ÂÇÑ´Ù. ¹°·Ð ¸ðµç ½ºÇÇÄ¿ Á¦Á¶»çµéÀÌ ÆòźÇÑ ÁÖÆļö ¹ÝÀÀÀ» Áö´Ñ Á¦Ç°À» »ý»êÇÏ·Á°í ¸¹Àº ³ë·Â°ú ½Ã°£À» µéÀδÙ. ÇÏÁö¸¸ ¸ðµç Á¦Á¶»çµéÀÌ ¿øÇÏ´Â ÁÖÆļö ¹ÝÀÀÀ» Áö´Ñ Á¦Ç°À» µ¿½Ã¿¡ »ý»êÇÏÁö´Â ¸øÇÑ´Ù. ´Ü ¸î °³ÀÇ Á¦Á¶»ç¸¸ÀÌ ±× °á°ú¸¦ ³¾ ¼ö ÀÖÀ¸¸ç, ¹Ù·Î WestLab Audio µµ ±×·± Á¦Á¶»ç Áß ÇϳªÀÌ´Ù.

¶Ç ÄÄÆÑÆ®ÇÑ »çÀÌÁî¿¡ ¸Å¿ì Æ°Æ°Çϸç, µð½ºÅä¼ÇÀÌ ±Øµµ·Î ³·Àº ½Ã½ºÅÛÀ» »ý»êÇÏ´Â Á¦Á¶»ç ¿ª½Ã ´Ü ¸î °³ ¹Û¿¡ ¾ø°í, WestLab Audio ´Â ±×µé »çÀÌ¿¡ ÀÖ´Ù´Â °ÍÀº È®½ÇÇÏ´Ù.

äÆà ¶Ç´Â ¿Â¶óÀο¡ ±ÛÀ» ¾²±â Àü¿¡ WestLab Audio ¸¦ µé¾îº¸±æ ¹Ù¶õ´Ù. ±×¸®°í ¡°Think Triangle¡± Ç϶ó.

* ¡°Think Triangle¡± Àº WestLab Audio ÀÇ Æ®·¹ÀÌµå ¸¶Å©ÀÌ´Ù.

 

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